Mar 5, 2013

YHES Day1 - deconstruction of the siding on a raised ranch.

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Feb 21, 2013

Day two of renovation in N Attleboro, MA.

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Feb 20, 2013

Day three of renovation in N Attleboro, MA.

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Oct 19, 2012

John, the groom, gets roasted through a poem read by his groomsmen at his wedding on Oct 13, 2012.

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Oct 17, 2012

Photographed the new Botanical color samples for Precision Textile Color located in Brockton, MA.

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Sep 7, 2012

Sunset on Mayflower Beach Dennis, MA.  Best beach.  Best sunsets.  Great place for family, engagement and high school senior portraits.

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Sep 6, 2012

Creating a Polaroid Wall

Creating a Polaroid wall

How to create a polaroid wall from some bass wood, nails and glue.

Last week, with the snow storm in Seattle I was able to slip out to the art supply store down the street and picked up some stuff to fix my polaroid wall I put up back in May. It was quick and easy, just some plastic flashing and some spray adhesive, but after the warm summer and the weight from the Polaroids the flashing started to peel away from the wall. I’d been wanting to replace it with something else but just didn’t have the time, or any ideas on what to put up there in its place. I loved the flexibility to be able to put up and replace whatever photos I wanted or recently taken, but obviously the current setup wasn’t working. I thought about following Mark Bixby’s lead and doing something with scrap steel and magnets, but I didn’t really like the little magnet dots and didn’t have any scrap steel lying around.

Polaroid wall

Luckily, a few months ago my crafty neighbor and architect stopped by and had an idea using some bass wood and some push pins. I loved the idea, but of course work and life got in the way. Fortunately, the snow left me no excuse but to just sit down and do it. I ended up modifying his concept a bit, and am more than happy with the results. I wanted to make sure and document it here just in case someone else is looking for to do something similar. In the end it only took me a few hours it get it all setup, which included about an hour’s worth of scrubbing my walls to get rid of the spray adhesive I’d used on my first failed attempt.

What you’ll need

  • X 1/16 in. x 1 in. Bass wood
  • X 1/16 in. x 1/8 in. Bass wood
  • 1 pack of 1/2 in. Wire nails
  • Glue (I used Sobo craft glue but I’m pretty sure any glue that works on wood would work fine)
  • Polaroids

Since the bass wood lengths and number of them don’t matter the actual number of strips you’ll need is flexible. The ones I found at the art supply store down the street were 24 in. in length.

Directions

Measure 5/8 in. down from the top of the 1 in. strip and mark each side. This gives makes the visible portion of the polaroid an almost exactly square frame but leaves just a little extra white space to be visually pleasing. It also gives the polaroid enough support so it doesn’t flop forward. Apply the glue to the 1/8 in. strip (I just used my finger) and line up each end to the marks on the 1 in. strip. I just eyeballed keeping this straight but you could mark a line down the back of the piece of wood. Let dry.

When attaching them to the wall just hammer the wire nails through both the 1/8 in. and the 1 in. piece of wood and then the wall. See fig. 1 to see how it all lines up. The first few I did I ended up going a bit to close to the end and they split the 1/8 in. strip a bit as you can see in the photo they still work fine, just but be a bit careful.

They’ve held up great, there’s no messy adhesive on my walls and the photos aren’t bowed out like they were on my previous version.

December 29th, 2008

TAGS

basswood, diy, nails, polaroid, polaroidwall, wood

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Aug 25, 2012

On the Wednesday of our Bar Harbor family vacation we went to Hadley Point in Bar Harbor to photograph the sunset.  While waiting for the sunset color to show I decided to capture this scenic of the point using a HighDynamicRange ( HDR ) digital photography technique. Post processing was accomplished using HDR Pro 2 from NIK software.

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Aug 23, 2012

Yesterday I had the privilege of photographing the Knight family form Mansfield on Mayflower Beach in Dennis, Ma on Cape Cod.  Great family. Great evening.  This was the last grouping right after sundown.  Yes I did use a studio light.  It was a 400 WS Lumedyne with the flash head enclosed in a Westcot Halo-Mono.

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Aug 23, 2012

A Beautiful bed and breakfast in Newburyport.  This is the place Christine Joyce and her family prepared for her wedding to Ben Fichera on July 28, 2012.

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Aug 23, 2012

Nicole’s portrait app.   To view the whole album follow the directions below.

Open this email on your mobile device.

Because your album is over 10MB, Please connect to Wi-Fi before launching for the first time.


http://moblalbum.com/gaF2vhj2Qr/gallery/14814

When you get this prompt, tap Increase to save your album for offline viewing.

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Aug 20, 2012

Cindy's mobile senior portrait gallery.

View our new mobile photo album for Bradshaw Photography clients.

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Aug 20, 2012

Bar Harbor Nature

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Jul 31, 2012

Why weddings are of the heart not the mind.  A poem from a 12 year old to her new step-mother at their Newburyport wedding on July 28, 2012.

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Jul 27, 2012

Camera Lens Buying Guide

UPDATED July, 2012

JULY 13, 2012

UPDATED July 2012 – there have been several cool new lenses released since I first published this list and those changes are reflected herein. I’ve also added a few more of the older lenses I’ve had time to test and fall in love with as well as another zoom. I’ve also added a section briefly explaining the difference between prime and zoom lenses:

______________________________

I get lots of “what camera should I buy” questions here at Photofocus. I personally don’t enjoy that question since it’s sort of like asking me “What sort of car should I buy?”

I do have more sympathy for the next logical question: “What lens should I buy?” I am not talking about the “Is the Nikon 50 f/1.4 really better than the 50 f/1.8 lens?” questions, but the “What lens should I buy generally?” questions.

Neither question is easy to answer. This is an updated version of my first attempt (back in June, 2009) to cover this question. I have seven basic questions here that should help make the process of selecting a lens easier. For those who just want me to pick a lens for them, skip to the bottom where I have some generic suggestions.

If you’re trying to decide which lens to buy, here are some questions that you should answer (on your own) before you decide to go to the camera store.

1. What is your current skill level? Are you a raw beginner or advanced amateur? What are your goals? Do you want to turn pro or just shoot family photos? The advice I would give to someone buying their very first serious camera lens would sometimes be different than it would for someone who’s been at this five years. Pros need lenses with wide (fast apertures) etc.

2. What subjects do you like to photograph? The lens I’d suggest for photographing birds is very different than the one I’d suggest for a food photographer. Some subjects require long lenses (like sports and wildlife.) Other subjects like architecture require very wide lenses.

3. Will you primarily be shooting indoors or outside? If you’re shooting mostly indoors you’ll have to consider a faster lens than if you’ll just be shooting outdoors. Unfortunately, faster lenses cost more. But if you can’t or won’t use flash, super wide apertures are going to be important to you.

4. How much money do you want to spend? Lenses are like most things – you get what you pay for. Knowing how much you want to spend will often have a big influence on what I’d recommend. I personally think the lens is more important than the camera body – in some cases. It’s sort of like stereo equipment. Every genuine expert in that field I’ve spoken with says to spend the money on speakers. Here, I’d suggest spending the money on glass.

5. How long will you keep the lens? If you turn your gear over frequently, it might make sense to go with something less expensive than if you plan to use the lens over the entire length of your career. If you are the kind of person who hangs on to everything you buy, save your pennies and buy the best.

6. How strong are you? Weight (and size) are important factors in lens choice. I know many photographers who were very excited to get a Nikon 200-400 F/4 lens until they actually had to hold it. The thing is a beast. Are you prepared to carry whatever lens(es) you buy? It’s a shame to buy a lens and then not use it because it’s too much of a hassle to carry it.

7. Which is most important? Price, quality, durability? An old businessman taught me a very important lesson early in life. You can have it good, fast or cheap. Pick any two.

With this information in mind, you should be much better positioned to select the right lens for you.

Before I go on I want to address one common question about the difference between “prime” and “zoom” lenses.

For those who are new, a prime lens is merely a fixed focal length lens. It just means that unlike your 70-200 mm lens that allows you to use focal lengths between 70mm and 200mm, a prime lens will only shoot at a fixed length. Some common prime lens lengths are 24mm, 35mm 50mm, 85mm, 100 mm, 200mm, etc.

Here’s a rundown of the advantages prime lenses have over zooms from my point of view.

1. Prime lenses tend to be “faster” than zooms. What I mean by that is that they have a larger aperture (lower f-stop number) and allow more light into the camera.

2. Prime lenses tend to be sharper because they tend to have fewer optical compromises. Zooms require more lens elements and moving parts which could impact sharpness.

3. Prime lenses are typically smaller and lighter than their zoom-lens equals.

4. Prime lenses force you to think more about composition since you can’t just zoom your way out of a problem.

5. Prime lenses (at least the great ones) sometimes offer you more control with features like depth-of-field scales (used for hyper focal distance calculations) or aperture rings.

There are disadvantages to all these features. You have less flexibility, you have to buy and carry more lenses to achieve coverage of the same focal lengths, and good prime lenses can be expensive.

As for my own preferences, I like primes and I don’t shoot with many zoom lenses. Yes they are affordable, convenient and versatile. But there’s a trade off. They typically have more flaws than prime lenses. I am NOT saying you shouldn’t buy a zoom lens. In fact, I do own a few myself. Okay, I own three. I will even recommend a few below. But I believe (especially for those shooting video as well as stills on a DSLR) that a very fast prime lens is the best way to go for those who can afford it.

I also want to mention that I am not covering many third party lens manufacturers here. The reason is simple. I’ve only owned one third-party lens (Sigma 300-800mm f/5.6 EX DG HSM APO IF Ultra Telephoto Zoom Lens.) I haven’t had enough testing time with most of the third-party lenses to be able to tell you which ones are best. You can indeed often (but not always) save money with third-party lenses. My advice is to rent these before you buy to make sure they meet your needs. Another thing to note is that while third-party lenses often perform at levels consistent with the lenses produced by Canon and Nikon, they typically suffer more manufacturing defects. So your chances of getting the proverbial “bad copy” of a lens go up with third-party lenses. Lastly, if you do go with third-party lenses, try to stick with the higher-end third party lenses. Sigma in particular is making some very high-quality lenses at the higher end of the market.

For those who want to know which lenses I like, here are some quick (and safe) suggestions, in several price ranges.

NOTE: If YOUR favorite camera lens is not on this list, it doesn’t mean I don’t think it’s a good lens. These are just my personal choices.

I apologize in advance, but I won’t have time to advise folks individually regarding their lens choices. This list (as well as this post) are designed to help you select for yourself. When it doubt, rent. That way you can see for yourself if a lens performs as you expect it to.
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Normal Lens – 50mm

In my opinion, a fast 50mm lens is a must have in every serious photographer’s camera bag. For years, the fast 50 was the “kit” lens. This somehow made it less desirable and the camera companies started shipping cheap zooms with their bodies instead of the 50. I think that was a bad call. In most cases, I’d dump the kit lens in favor of a fast 50 and one auxiliary lens (at a minimum.) The good news is that fast 50mm lenses are affordable. Here are my suggestions.

BUDGET

Nikon 50mm f/1.8G AF-S NIKKOR Lens

Canon EF 50mm f/1.8 II

INTERMEDIATE

Nikon 50mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras

Canon EF 50mm f1.4 USM Lens

PRO

Nikkor AF-S 50mm f/1.4G Lens

Canon EF 50mm f/1.2 L USM Lens

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Wide Angle Lens

If you photograph landscapes, architecture, environmental portraits or anything else that requires a wide view, wide angle lenses are going to be important to you. While photographers disagree about how wide is wide enough, I’ve always found lenses in the 20mm to 28mm range to be a consistently good focal length for most wide shots. Yes, there are times when SUPER wides like the 14 or 16mm lenses will be more appropriate. These are typically expensive and overkill for MOST photographers. Feel free to go wider if you need to and can afford it. For the purpose of this piece, I’ll stick with 20mm to 28mm lenses as a wide angle choice.

BUDGET

Canon 40mm EF f/2.8 STM Lens

INTERMEDIATE

Nikon 20mm f/2.8D AF Nikkor Lens

Canon EF 24mm f/2.8 Wide Angle Lens

Canon EF 20mm f/2.8 USM Wide Angle Lens

PRO

Nikon 24mm f/1.4G ED AF-S RF SWM Prime Wide Angle Nikkor Lens

Canon EF 24mm f/1.4 L USM II Wide Angle Lens

Canon EF 14mm f/2.8L II USM Lens

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Zoom Lenses

I’ve already given my thoughts on zooms. In today’s economy, they will be the only logical choice for photographers on a budget. Thankfully, there are some very good and affordable zooms. Here are some of my favorites.

BUDGET

No Nikon choice in this category

Canon EF 70-200mm f/4L

INTERMEDIATE

Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens

Canon EF 70-200mm f/4 L IS USM Lens

Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor Zoom Lens

PRO

Canon EF 70-200mm f/2.8L II IS USM Lens

Nikon 70-200mm f/2.8G ED VR II AF-S Zoom Lens

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Specialty Lenses

Some photographers will need specialty lenses for things like macro, portrait, wildlife, sports or architectural work. There are also two micro four/thirds lenses on the list. Here are a few that I like.

INTERMEDIATE

Olympus M. Zuiko Digital ED 12mm f/2.0 Lens

Olympus M. Zuiko Digital ED 45mm f/1.8 Lens

Nikon 85mm f/1.8G AF-S NIKKOR LensNikon

85mm f/3.5G AF-S DX ED VR Micro Nikkor Lens

NOTE – the above 85 f/3.5 lens is designed ONLY for Nikon DX cameras. Full frame Nikon shooters should buy Nikon 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor Lens

Canon EF 100mm f/2.8 Macro USM Lens

PRO

Canon EF 14mm f/2.8L II USM Ultra-Wide Angle Lens

Canon EF 800mm f/5.6L IS USM Lens

Canon EF 500mm f/4L IS II

Sigma 300-800mm f/5.6 EX DG Lens (Canon)

Remember, 98% of all lenses are better than 99% of all photographers. It’s not the gear that makes the photo, it’s the person who’s using it. Just because you own these recommended lenses, doesn’t mean you’ll get great shots. Practice your craft, build your vision and then these lenses might make a difference.

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This Post Sponsored by:
Viewbug - Fun Photo Contests
Kelby Training – Use code KTSBA12 to save $20
BorrowLenses.com – Renting Canon, Nikon, Olympus & Sony, bodies, lenses, etc.
SmugMug – Professional Photo Sharing
Digital SLR Store - Cameras, lenses, accessories and everything else.

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Jul 25, 2012

Now if we could only enforce this law !

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Feb 8, 2012

You won’t believe what this Bride had too say…

January 31, 2012 

This posting was made (of all places) Craig’s List. As you read it, put yourself in this Bride’s place as best you can (I left the typos and the misspellings in there-not me  )
WHY is finding an amazing wedding photographer so difficult? :/

I am a Bride who is getting married this summer and have yet to find a decently priced, exceptional, amazingly talented, fun photographer.

WHY because the word “WEDDING” is involved photographers think they can change you $ 3,000.00 for wedding photos? Oh, because no bride is going to go without so they are going to pay it, because they HAVE to. They are ripping people off for all they have! Why when you want to get married it costs you AT LEAST 15 grand after all is said-and-done? Its such CRAP!! I love all you $ 3,000.00 photographers out there but i think your prices are WACK. All your doing is hanging out at a wedding taking tons of photos and editing them.. and thats owrth 3 GRAND!!! You’re making so much money its crazy. I just wish people would be more realistic. I mean the “average” persons salary for 1 freaking month is somewhere around 3 grand. (Thats making 19$ an hour) So you’re going to take someones WHOLE MONTH paycheck for one flippen day of photos? Just because you CAN!!?????? So that maybe they will not be able to feed themselves or pay any other bills they have, right? It makes me SICK!

I know im speaking for more than just myself right now. Alot of brides out there think the same thing. & I bet all you fancy photographers wont even read this. oh-well.
Maybe there are cheaper photographers that will read this and LOVE to take my photos :)
Here was my response:
I have read your letter and wanted to hopefully enlighten you.
The tone of your letter infers that there is a great conspiracy to out there to “rip off Brides”. As someone who is firmly in the middle of the Wedding Industry, let me tell you that you could not be more wrong.
The average Photographer will spend typically 8-10 hours of “taking pictures” as you put it , on your Wedding Day. For each wedding they “take Pictures” for, they will also have to do approximately 5-7 hours of continued education so that when they “take pictures” they will be doing the best and most advanced techniques. Many times this education costs money. Further, the average Photographer will spend around $300 and 4 hours (for every time they “take Pictures” ) of marketing efforts and dollars. The Photographer will on average meet with 2 brides for every one that books (to “take Pictures”), which takes around 3 hours. Let’s pretend that the admin stuff of their business magically takes care of itself (the bookkeeping, the licensing and the ordering of supplies, hiring and firing of employees- the day to day operations) This admin stuff doesn’t magically take care of itself (and the expenses are still there too) , but let’s just pretend. Going back to the “taking pictures” there is also approximately 6-8 hours of back end time for every 1 hour of shooting time. This includes the “editing of a few pictures” as you put it, sorting down from 1500 images (and they have to look at them all) to a manageable amount (this alone takes around 8 hours) and putting together albums, as well as uploading them to the internet. So your 8 hours of “taking Pictures” added with the 5 hours of continued education, coupled with the 4 hours of marketing and the 48 hours of post production adds up to 67 hours (at a minimum) worth of work divided by what ends up to be around half- $1500 = around what you suggest the average bride makes (based on if they stay booked which there is not guarantee)= a little more reasonable rate. Oh, but wait, I did not include the thousands of dollars in equipment, the travel time to and from the event, the insurance, the fees for phones, internet and studios which it costs , not to mention if they have to pay an employee. You are further assuming that they simply go out casually for a few hours once or twice a week and knock down 200-300k a year from “unsuspecting brides”.
Here is the good news- You can find someone who is cheaper. The Problem is that a camera and a business card does not a Wedding Photographer make. If once you find that person, you may decide to keep looking, you can find someone cheaper than that. If you even keep looking all the way up to the day before your wedding, guess what- there is always someone cheaper. Fact is you are equating these photographers as a commodity which they are not. Ask around the industry with non-photographer wedding professionals and see if they have heard of nightmare stories of the photographer a) not showing up b) screwing up the pictures when they did show up c) not providing the final product (it got lost, destroyed or otherwise) afterwards. I see cases such as those all the time on Judge Judy. I mean, why does Lexis rip off people so much- it has the same tires, steering wheel, windows, engine, etc.. as a Kia doesn’t it?
My advice for you is to not blame the price, but to appreciate the reason behind it. Good luck on your wedding (btw- if you need a referral, I am happy to share some names of professionals who care in the Puget Sound area. They will probably cost more, but you will get what you pay for)
Sincerely

Rick
www.getmorebrides.com

What are your Thoughts?

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Dec 23, 2011

From the Make a Ginger Bread Camera Post at http://content.photojojo.com/diy/gingerbread-cameras/

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Dec 23, 2011

Ginger Bread Cameras

 

Ansel Adams once said, “You don’t take a photograph, you make it”. Well this year, we’re making the cameras.

Forget about gingerbread men, women, and houses. Our pals Doug and Jenny got into the holiday spirit by making gingerbread cameras!

They showed us just how they did it, so you can make one at home, too.

Make a TLR, rangefinder or a Hasselblad. You can have any camera on your wish list!

Make Gingerbread Cameras

 

WHY IT’S COOL:

ingred-smThere’s no question that we love our cameras. But a camera that tastes as good as it looks? What could be better?

Gingerbread cameras are not only delicious and super fun to construct, but they also make the perfect, mouth-watering centerpiece for your holiday meal.

These cameras will make your guests f/stop in their tracks.

WHAT YOU’LL NEED:

ingred-sm

  • Gingerbread Dough and Icing (see below)
  • Cookie Sheets
  • Oven
  • Rolling Pin
  • Parchment/ Wax Paper
  • Measuring Cups and Spoons
  • Electric Mixer (optional)
  • Toothpicks
  • paint-sm

    Dough:

  • 2 large eggs
  • 3¾ cups flour
  • ¾ cup brown sugar
  • 1 stick of butter, softened
  • ¼ cup molasses
  • 2 teaspoons ground ginger
  • 1½ teaspoons baking soda
  • ½ teaspoon ground cinnamon
  • ½ teaspoon freshly grated nutmeg
  • ½ teaspoon salt
  • Icing:

  • 3½ cups powdered sugar
  • 2 large egg whites

STEP 1 – MAKE THE GINGERBREAD DOUGH:

paper-smUsing an electric mixer at low speed, cream the sugar and butter until thoroughly combined. Add the eggs and molasses and mix until combined. In a separate bowl, sift together the flour, ginger, baking soda, cinnamon, nutmeg, and salt. Add the dry ingredients to the butter mixture and combine with a spoon or spatula.

Separate the dough into two even pieces and wrap each ball in plastic wrap. Refrigerate until firm, about 1 hour.

(Great gingerbread recipe found here)

STEP 2 – ROLL OUT THE DOUGH:

paint-smPreheat the oven to 350°F and line the cookie sheets with wax paper.

On a floured surface, roll out half the dough to about ¼” thick. This part will be used for the sides and body of the camera. Roll the other half of the dough a bit thinner for the detail pieces, about 1/8 of an inch.

TIP: Roll your dough in between sheets of wax paper to keep it from sticking to your surface and rolling pin.

STEP 3 – CUT OUT THE SHAPES:

paint-smUse a knife, or circle and rectangle cookie cutters, to cut out the shapes you need. Use a spatula to transfer your shapes to the prepared cookie sheets. You can re-roll the scraps.

Use the printable template (above) for a twin lens reflex camera.

TIP: Before buying cookie cutters, see what shapes you have laying around your kitchen. We pressed the tops of drinking glasses into the dough for a nice circle outline.

STEP 4 – BAKE AND COOL:

paint-smPop your shapes into the oven at 350 degrees for around 10 minutes, or until the edges start to brown.

Let them cool completely before building your camera.

STEP 5 – MAKE THE ICING:

paint-smWhile the gingerbread is baking and cooling, make some hard-core icing that is sure to glue your gingerbread pieces together. You don’t want that camera collapsing after all your hard work! Here’s how:

Using electric mixer, beat egg whites in medium bowl until very foamy, about 1 minute. Add 1/2 cup powdered sugar. Beat until well blended. Add remaining cups sugar, 1/2 cup at a time, beating until well blended after each addition and scraping down sides of bowl occasionally. Beat icing at high speed until very thick and stiff, about 5 minutes.

STEP 6 – TRIM THE EDGES:

paint-smWhile your pieces are still a bit warm, trim the sides with a sharp knife for nice straight edges that are easy to line up.

STEP 7 – ASSEMBLE:

paint-smStart with the body of the camera. Construct the sides together using plenty of that thick icing. Once you have the body, go ahead and add the top shapes.

STEP 8 – DETAILS:

paint-smGlue on the lenses and film advance wheels.

TIP: Plenty of icing on the back of the piece holds it on tight. It also creates a nice white circle of icing when pressed onto the main body.

STEP 9 – FINE PRINT:

paint-smDecorate your gingerbread camera with all the little details that make it awesome. Give it a brand name and a border, or polka dots if you want!

TIP: Spoon the icing into a re-sealable sandwich baggie. Cut a tiny corner off and squeeze the icing through for a more refined look. Use toothpicks to fine-tune the smallest areas.

STEP 10 – ENJOY!

You did it! Now put that bad boy on display for everyone to see!
paint-smpaint-sm

TAKE IT FURTHER:

  • Want more cameras you can eat? Check out these cookie cutters (above) and make ice-cream sandwich cameras!
  • Make a collection of rad gingerbread cameras. Study your favorite camera and break it down to its most essential geometric shapes. Make a template for the shapes you need to cut out and bake. Photograph your camera and its sweeter counterpart together.
  • Feeling extra festive? Make a gingerbread polaroid camera and prints. Draw your favorite photos with colored icing.

from :  content.photojojo.com/diy/gingerbread-cameras/

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